Pogues fans on this side of the Pond are often unaware that the Celtic roots/punk band was from England, not Ireland. But when Dubliner Frank Murray became their manager and got them signed to Stiff Records in 1984, they were held in the embrace of Irish music royalty. Murray worked with traditional Irish acts such as the Dubliners and Ewan McColl’s daughter Kirsty, and teamed them with the Pogues to create two of the band’s most memorable numbers: “The Irish Rover” and “Fairytale of New York.”
Murray’s best friend since teen years was Phil Lynott of Thin Lizzy, and Frank began his remarkable music business career in the late ‘60s humping amps and driving vans for Lizzy predecessor Skid Row. When Thin Lizzy became Dublin’s first internationally-known rock band with Jailbreak (and smash hit “The Boys Are Back In Town”) in 1976, Murray had a taste of the big time and wanted more. But he was not driven by the money and fame, though neither would be turned down. His fulfillment came from enabling his charges to reach the masses through their art. Frank Murray was the Great Connector.
“Frank loved good music,” one of his later clients, Stefan “the Mighty Stef” Murphy posted on Facebook after word spread Dec. 22 that Murray was dead of a heart attack at age 66. “Being cool wasn’t enough. it had to be good.”
Cait O’Riordan, who left the Pogues in ’87 when she married Elvis Costello, posted on Twitter: “Please light a candle, say a little prayer for Frank Murray who left us today. RIP that wicked gleam in his eye, that kind heart.”
When not on the road with Lizzy in the ’70s, the level-headed Murray road-managed tours for Elton John and the Commodores. When ska/punk broke big, he handled the infamous 1979 2-Tone Tour and managed the very best band on it- the Specials. That all prepared him for his six years with the hard-drinking, hard-living Pogues, who would seem to have been the hardest band to handle, though Frank said UB40 was worse!
“Nobody I ever worked with was as charismatic, as knowledgeable or as truthful as Frank Murray,” wrote Murphy. “God knows who I turn to now in moments of doubt.”
After he quit managing the Pogues in 1990, he took on the Frames, whose guitarist Glen Hansard soon got a role in The Commitments. Murray was a fixture on the Dublin film scene, co-founding the Maverick Film Festival, and helping former Frames bassist John Carney attain funds to make the 2007 film Once, which made Hansard a star.
Managing the Mighty Stef brought Frank to Austin in 2007, when he met Kay Gourley, a lifelong Austinite who showed him around town and eventually became his girlfriend. I had met Frank in 1988 when I was supposed to write a tour diary of the Pogues in the South (don’t bother Googling that story- I lasted only two nights). It was great to reconnect 20 years later and to get to
really know Frank Murray as a man deeply involved in the arts- film, painting, music, theater, dance, poetry. He was a facilitator of the first order. That was his great gift. The last time I had coffee with Frank- always at the Spiderhouse- he talked about ideas on how to better strengthen the musical bond between Ireland and Texas. I could name a Texas song, like “Streets of Laredo” and “The Old Chisholm Trail” and Frank could sing the Scotch-Irish song those tunes reworded.
Also, he was so proud of his children Shannon, Emmet, Darragh, Aran and Kay’s 16-year-old son Seamus, who Frank called his fifth.
“Frank was someone that I was friends with the second I met him,” said Joe Ely, speaking for multitudes. “He loved the Austin scene because it reminded him of Dublin, with all the little clubs and out-of-the-way places.”
Ely met Murray in the mid-‘80s while on tour in London. “He showed up with Shane MacGowan, who stayed backstage when we were onstage,” Ely recalled. “When the show was over, we found out he drank all the booze on the rider.”
After the Clash broke up, Murray helped get Ely’s good friend Joe Strummer back in the game with his new band the Mescaleros.
“It really does feel like the end of something,” Spider Stacy of the Pogues told Billboard. “He was brilliant. I loved him dearly.” Stacy and Murray reunited this past year when the New Orleans-based Stacy played the Continental Club with the Lost Bayou Ramblers.
“I had just seen Frank in Austin in July,” Ely said. “He was in great spirits and looked great. It was a real shock (Murray’s passing). I just sat down and cried.”
Posted Murphy: “Hope there is good music wherever you are Frank. I’ll keep singing my song and trying to make you proud.”