“Ghost notes” is a musical term for sounds barely audible, a wisp lingering around the beat, yet somehow driving the groove. The Texas musicians profiled here, ranging from 1920s gospel performers to the first psychedelic band, are generally not well known, but the impact of their early contributions on popular music is unmistakable. This beautiful Tim Kerr-illustrated collection provides more background on the Texas from which these artists sprang, fully formed.
Readers will learn about the black gay couple from Houston who inspired the creation of rock ’n’ roll, as well as the true story of the origin of Western Swing. They will learn about “the first family of Texas music” and the birth of boogie-woogie, the dirt-poor singers and the ballad collectors who saved folk songs during the Depression, and the accordeonista whose musical legacy was never contained on recordings but was passed on by his protégé. The pioneers of modern times include the Dallas rapper who became the wordsmith of gangsta rap, the sheriff’s son from Dumas who produced the signature tunes of Frank Sinatra and Dean Martin, and the blind lounge singer Kenny Rogers called the greatest musician he’s ever known.
Hardcover: 160 pages
Publisher: Texas Christian University Press (March 25, 2020)
Product Dimensions: 8.5 x 11 inches
Shipping Weight: 2.35 pounds
For wholesale orders: 979-845-1436 (use code “65” for discount)
$30, signed by author and illustrator (includes shipping to U.S.)
paypal to email@example.com or mail a check to P.O. Box 301314 Austin, TX 78703
About the Author
MICHAEL CORCORAN has been covering Texas music since 1984, first as an acerbic columnist for the Austin Chronicle, but more recently as a “rock ’n’ roll detective” (The Times of London) whose 2016 book/CD about gospel curiosity Washington Phillips received two Grammy nominations and was praised in the New York Review of Books. His 2012 book/CD on Arizona Dranes was also nominated for a Grammy. A recently-released project was the five-disc Sam Cooke: The Complete Years 1957-1960 (ABKCO), for which he wrote extensive liner notes.