Most Significant Nights in Austin Music History:
#10 Talking Heads at Fiesta Gardens Sept. 7, 1982
This was the NYC band’s 7th concert in Austin in four years and the first not at the Armadillo World Headquarters. Yet, although there were some amazing shows on Barton Springs Road, this was the T. Heads’ most notorious night in River City. First, the show was moved from City Coliseum with just a couple days notice when it was determined that, after a string of smoke-filled halls earlier in the tour, an outdoors venue would be healthier for eight-month-pregnant bassist Tina Weymouth. The neighborhood wasn’t sufficiently notified- or it didn’t matter if they were- so after the hip cutting-edgers invaded the Eastside enmasse on a Tuesday evening, some of their cars were negatively altered. One woman posting about this show on songwriter Edith Frost’s website recalled walking down a row of cars with their windows smashed out. But the show, sandwiched between Remain In Light (1980) and Speaking In Tongues (1983) was worth suffering mere property damage according to fan Rick Belden. “I was so euphoric by the time it was over that I didn’t even care that someone had spray-painted a black line down the side of my car during the show,” he posted. He kept it there to remind him of that fabulous night of heady dance music, ending with encores of “Take Me To the River” and “Cross-Eyed and Painless.”
Don’t know if the venue change ended up being such a great thing for Weymouth, who traded smoke for 100 degree heat, with her bass strapped on for two hours. But fan Lisa Wyatt Roe, who danced all set with 3,000 other ticketholders (plus those who exploited a breech in perimeter security by arriving by boat) said Weymouth was an inspiration. “She played so well, considering she was pregnant and it was a million degrees.”
The other Talking Heads show to consider was Nov. 21, 1980 at the Armadillo. This was a month after the release of the masterpiece Remain In Light, with its Afrobeat grooves, and the band was augmented by Adrian Bellew on guitar, Bernie Worrell on keyboards, and others. Every punk/new wave band in town wanted to open the show, but manager Gary Kurfirst gave the plum to legendary rock critic Lester Bangs, who had been using our fair city as a moveable flophouse for several months. Bangs had been rehearsing with various Austin players, but replaced them for the Armadillo gig with an existing punk band called the Delinquents. While the ‘Dillo crowd was known for acceptance and leniency, they booed Lester’s awful performance- at least the ones who were there. The hall didn’t start to fill up until just before the Heads set because Nov. 21, 1980 was when the world locked into its TV sets to find out “Who Shot J.R.?” on Dallas.